Amir Minai Online Archive: June 2010

Wednesday, June 16, 2010

Title 57, Manuscript --Masnavi qissa aik yahudi ka/masnavi owais qarani calligrapged by Talib Hasan/Amir Minai’s Naatia kalam - 1884

Serial No: 57
Dimensions (HxW): 7.5”x5”
Nature of Document: Manuscript --Masnavi qissa aik yahudi ka/masnavi owais qarani calligrapged by Talib Hasan/Amir Minai’s Naatia kalam - 1884
Genre: Urdu Poetry
No. of Pages: 96 pp -51 images

Pp 1

Pp 2-3

Pp 96

Title 56, Manuscript --Qasida Masnad Nashini Nawab Arsh Aashian Tab Sarah

Serial No: 56
Dimensions (HxW): 9.25”x5.5”
Nature of Document: Manuscript --Qasida Masnad Nashini Nawab Arsh Aashian Tab Sarah
Genre: Urdu Poetry
No. of Pages: 8 pp -5 images

Pp 1

Pp 2-3

Pp 8

Title 51, Manuscript -- Musaddas and other miscellaneous poetry

Serial No: 51
Dimensions (HxW): 9.5”x6.5”
Nature of Document: Manuscript -- Musaddas and other miscellaneous poetry
Genre: Urdu poetry
No. of Pages: 31 - 16 images

Pp 1

Pp 2-3

Pp 31

Title 12, Manuscript --Sanamkhana-e Ishq (incomplete) with some radeef “nun” (ن) selections

Serial No: 12
Dimensions (HxW): 9.25”x5.5”
Nature of Document: Manuscript --Sanamkhana-e Ishq (incomplete) with some radeef “nun” (ن) selections
Genre: Urdu Poetry
No. of Pages: 164 -83 images (Starts on page 145)

Pp 145

Pp 146-147

Pp 310

Wednesday, June 2, 2010

Title 4, Manuscript -- Surma-e Baseerat ( Dated: October 10, 1874)

Serial No: 4
Dimensions (HxW): 13.5”x9.5”
Nature of Document: Manuscript -- Surma-e Baseerat ( Dated: October 10, 1874)
Genre: Lexicon of 1963 Urdu words and phrases of Arabic and Persian origin and their usage
No. of Pages: 519 - 261 images

Pp 1

Pp 2

Pp 3-4

Pp 5-6

Pp 515-516

Pp 517-518

Pp 519

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Minai, Amir Ahmad (1829-1900) – Amir Minai was born on 20^h February 1829 in a religious and literary family that had settled in a Lucknow neighbourhood then known as the Mīnāī Mehellāh. It was a neighbourhood inhabited by the descendents of the saint, Shah Mina, whose mausoleum is nearby.

In addition to his preliminary intellectual training at home Amir studied at the Farangi Mahal. He was trained in languages (Persian, Arabic, Sanskrit), philosophy, logic, religion, jurisprudence, history, geography, astrology, and other subjects such as ‘ilm-ul rijāl (the science of Hadith) and ‘ilm-e jafar (the art of divination). By the age of twenty-five he was esteemed as one of the prominent scholars of Lucknow.

Amir was a prolific poet and writer known for his romantic and devotional poetry. He was an immaculate stylist and his epistles, masterpieces of Urdu prose, have been published several times and are often included in Urdu textbooks. However, Amir’s most crucial contribution to Urdu is Amīr-ul Lughāt, the first lexicon of Urdu.

Amir was a master poet who composed in the classical style. Amir’s poetry has been eulogized by the likes of Ghalib, Dagh, and Iqbal. Ghalib wrote to Munshi Shiv Narayan Araam asking him to publish Amir’s ghazals in his periodical Ma‘yār us-Shu‘rā’ which used to be published from Lucknow at that time. Iqbal was so inspired by Amir’s work that he wanted to write his biography. Inspired by his father and elder brothers, all of whom were poets, Amir started composing poetry from the age of nine. By the age of twenty he started participating in mushā‘irās of Lucknow, in which many prominent Urdu poets participated at that time, and established a name for himself. Amir is known mostly for his ghazals and nāts (a devotional poem written in praise of Prophet Muhammad) many of which have been sung by famous ghazal and nāt singers. Nevertheless, Amir was also a master of other genres of Urdu poetry including qasidā, musaddas, masnavī, manājāt, rubāi, qat‘ā, vāsokht, salām, and sehrā among others.

It is generally held that Amir was inspired by Dagh in his poetry. However, this claim is difficult to support. Though a color of the Lucknawi style of poetry and influences from poets like Ghalib and Mir are prominent in some of his ghazals, Amir developed a unique voice of his own. His poetry is marked by a delicate sensibility, keen insight, an impression of his times, and vast knowledge acquired through wide learning. According to Iqbal, his poetry is uniquely lyrical and has an air of gloom which haunts the listener.

Due to his scholarship and wonderful poetry Amir was popular among both plebeians and nobles. His unique poem Kabutar-Nāmah earned him a special place in the eyes of Wajid Ali Shah, the then King of Oudh, who then commissioned Amir for several works including Sharah-e Qudsī/Naghmā-e Qudsī—a treatise on music written in Sanskrit by Wajid Ali Shah; Hidāyat al-Sultān, and Irshād al-Sultān—expositions in Persian of texts by Wajid Ali Shah. Due to the war of Independence in 1857 Amir had to flee to Kakori, leaving his home in Lucknow. When he came back, his home had been devoured by fire, destroying his first collection of poetry, Ghairat-e Bahāristān. After this incident Amir settled in Rampur, like other poets of Lucknow, where he served as a Justice. It was in Rampur that Nawab Kilab Ali Khan at Sir Alfred Lyall’s request commissioned Amir to work on his master lexicon known as the Amīr-ul Lughāt. The first two volumes of Amīr-ul Lughāt were published in 1891 and 1899 respectively and comprised of entries of the first two letters of Urdu, Alif and Bay. This project was much dear to Amir, and despite his failing health he completed a major portion of the lexicon by 1898, just two years before his death. Unfortunately, all volumes of this lexicon could not be published due to financial constraints. Some were destroyed by a fire in his house that consumed most of his unpublished works, while some drowned in a flood, and some others still remain in Rampur.

Amir has numerous publications to his credit. His published poetry includes five collections of love poetry (Mirāt-ul Ghaib—a divan, Sanam-khāna-e Ishq—a divan, Johar-e Intikhāb and Gohar-e Intikhāb—collections of independent verses, Mazāmīn-e Dil-āshob—a collection of six vāsokhts, passionate poems of unrequited love), a divan of nāts (Muhammad Khātim-un Nabīyyīn), and six books of religious poetry (Nūr-e Tajallī—a masnavī on the birth of the Prophet, Zikr-e Shāh-e Ambīā—a musaddas on the birth, the incident of mai‘rāj, and the death of the Prophet, Subh-e Azal—a musaddas on the birth of the Prophet, Lailat-ul Qadr—a musaddas on the incident of mai‘rāj, Shām-e Abad—a musaddas on the death of the Prophet, Abr-e Karam—a masnavī depicting tales of various Muslim saints). His published prose includes Amīr-ul Lughāt, Hidāyat al-Sultān, Irshād al-Sultān, Intikhāb-e Yādgār—biographical tales and collection of poetry by poets of Rampur, Khayābān-e āfrīnash—stories of the Prophet, Namāz Kay Isrār—on the usefulness of prayers, Zād-ul Amīr—collection of prayers from Ahadith, and Wazīfā-e Jalīliyāh—a collection of Ahadith for daily recitation. In addition to these works, his letters have been published under several titles including Khutūt-e Munshī Amīr Ahmad and Makātib-e Amīr Mīnāī among others. Moreover, two biographies of Amir have also been published, written by Maikash (Hyderabad, 1920’s) and Syed Asghar Hussain Rizvi (Lucknow, 1941) respectively.

Amir’s unpublished works comprise of more than 70 manuscripts. Among other things they include an Urdu-Persian dictionary, a divan of Persian, several collections of poetry including masnavīs, ghazals and vāsokhts among other forms, translations, and texts on different subjects ranging from astrology, music, language, numerology, history and religion.

Amir’s name had traveled far and wide within his lifetime. Around forty days before his death he traveled to Hyderabad Deccan on royal invitation where he died of liver failure on 13^th October 1900.